Addiss, Stephen, ed. Japanese Ghosts and Demons: Art of the Supernatural. New York: Lawrence: George Braziller, 2001.

Berndt, Jacqueline. “Nationally Naked? The Female Nude in Japanese Oil Painting and Posters (1890s-1920s).” In Performing “Nation”: Gender Politics in Literature, Theater, and the Visual Arts of China and Japan, 1880-1940, edited by Doris Croissant, Catherine Vance Yeh, and Joshua S Mostow. (Leiden; Boston: Brill, 2008.)

Clark, John. Modernities of Japanese Art. Leiden; Boston: Brill, 2013.

Foxwell, Chelsea. “Japan as Museum? Encapsulating Change and Loss in Late-Nineteenth-Century Japan.” Getty Research Journal, no. 1 (2009): 39–52.

———. Making Modern Japanese-Style Painting: Kano Hōgai and the Search for Images, 2015.

———. “Merciful Mother Kannon’ and Its Audiences.” The Art Bulletin 92, no. 4 (2010): 326–47.

———. “The Painting of Sadness? The Ends of Nihonga, Then and Now.” ARTMargins 4, no. 1 (February 1, 2015): 27–60. doi:10.1162/ARTM_a_00104.

Hasegawa, Yuko. “In the Realm of Hell.” Tate Etc 17 (2009): 56–61.

Hirayama, Mikiko. "Ishii Hakutei on the Future of Japanese Painting." Art Journal 55, no. 3 (1996):57.

Kanda, Fusae. “Behind the Sensationalism: Images of a Decaying Corpse in Japanese Buddhist Art.” The Art Bulletin 87, no. 1 (March 1, 2005): 24–49.

Liddell, C.B. “Pinpricks in the Darkness: The Beautiful and Disturbing Art of Matsui Fuyuko.” Culturekiosque. Accessed November 6, 2016. http://www.culturekiosque.com/art/interview/fuyuko_matsui.html

Matsui, Fuyuko. The Collected Works of Matsui Fuyuko, Part Two (Matsui Fuyuko Gashū) 松井冬子画集. 2 2. Tokyo: Edition Toreviru, 2008. (See, also, Chizuko Ueno, “Matsui Fuyuko – The Destructive Power of Virtuosic Self-Injurious Art,” in The Collected Works of Matsui Fuyuko, Part Two (Matsui Fuyuko Gashū) 松井冬子画集. 2 2. Tokyo: Edition Toreviru, 2008.)

——— and Matsui Midori. “Matsui Fuyuko Long Interview” (Matsui Fuyuko Rongu Intabyū) 松井冬子 ロング-インタビュー. Bijutsu Teichō 64, no. 963 (2012): 40–51.

Morioka, Michiyo, and Paul Berry. Modern masters of Kyoto: the transformation of Japanese painting traditions, nihonga from the Griffith and Patricia Way collection. Seattle, WA: Seattle Art Museum, 2009.

Munsterberg, Hugo. "Tradition and Innovation in Modern Japanese Painting." Art Journal 27, no. 2 (1967): 151-55. 

Szostak, John D. Painting Circles: Tsuchida Bakusen and Nihonga Collectives in Early Twentieth Century Japan. Boston: Brill, 2013.

Weston, Victoria. Japanese Painting and National Identity: Okakura Tenshin and His Circle. Ann Arbor, MI: Center for Japanese Studies, University of Michigan, 2004.

Winther-Tamaki, Bert. “Oil Painting in Postsurrender Japan: Reconstructing Subjectivity through Deformation of the Body.” Monumenta Nipponica 58, no. 3 (2003): 347–96.

Yatsuyanagi, Sae. “Matsui Fuyuko – The Artist and the Art.” In Matsui Fuyuko: Becoming Friends with all the Children in the World (Matsui Fuyuko: Sekaijū no ko to tomodachi ni nareru) 松井 冬子展: 世界中の子と友達になれる, edited by Matsui Fuyuko, Brian Amstutz, and the Yokohama Art Museum, 12-15. Tokyo: Edition Toreviru, 2011.