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        <name>Original Format</name>
        <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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          <elementText elementTextId="124">
            <text>Ash, maple, rosewood, plastic, steel, brass, nickel silver</text>
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            <text>Overall: 103.5 x 38.1 x 4.5cm (40 3/4 x 15 x 1 3/4in.) </text>
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          <name>Title</name>
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              <text>Electric guitar (Pro II U series Urchin Deluxe model)</text>
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              <text>The dramatic curves of the Urchin guitar might have been inspired by the spiny points of the instrument's sea-dwelling namesake, or they might suggest the sinister fins of a shark. Regardless, the reference to ocean life is evident, with the deeply shaded blue-black varnish over a striped maple veneer that suggests ripples in a sandy beach as the ocean breaks over it. Various other guitar models from the 1980s experimented with abstract, pointed designs, as heavy-metal bands sometimes used their instrument's weapon-like appearance as a visual complement to the loud, thrashing music that was their trademark. Probably inspired by the work of B.C. Rich, a California guitar maker who started building guitars with similarly spiky outlines a decade earlier, the Urchin never sold as well as the company's more traditionally shaped models of classic American guitars.</text>
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          <name>Creator</name>
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              <text>Arai Company (Aria trademark), Nagoya, Japan </text>
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              <text>Museum of Fine Arts, Boston</text>
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          <name>Publisher</name>
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              <text>http://www.mfa.org/collections/object/electric-guitar-pro-ii-u-series-urchin-deluxe-model-128698</text>
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          <name>Date</name>
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              <text>1984</text>
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              <text>Overall: 103.5 x 38.1 x 4.5cm (40 3/4 x 15 x 1 3/4in.) </text>
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