74 10 939 https://ds-omeka.haverford.edu/japanesemodernism/files/original/f8d01caec4f0021574daad518bdcce37.png 01ad7ef2b513678f9465725ba477abb2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Child's Salmon Skin Coat Description An account of the resource Originally all Ainu garments were made of skin, fur, and feathers, and these types of clothing survived in Sakhalin and the Kurile Islands into the twentieth century. Salmon skin was highly prized for making strong, light, durable waterproof garments. Sakhalin Ainu decorated fishskin garments with delicate appliqué, as did their neighbors in the lower Amur River region. This child's coat has a Sakhalin Ainu cut but was collected in Hokkaido – like people, artifacts often end up far from home. This coat may have come to Hokkaido with Ainu refugees expelled when Sakhalin was turned over to the Russians in 1875. In 1896 it was sold to Mrs. Mabel Loomis Todd, a participant in an Amherst College expedition that came to Hokkaido to view a solar eclipse. (Ainu: Spirit of a Northern People. Arctic Studies Center. Smithsonian National Museum of Natural History) Source A related resource from which the described resource is derived M. Todd col. 1896, Esashi, Hokkaido Peabody Essex Museum, Salem, Massachusetts E3390 Ainu: Spirit of a Northern People. Arctic Studies Center. Smithsonian National Museum of Natural History Ainu https://ds-omeka.haverford.edu/japanesemodernism/files/original/7ad1ce5ad96089a45e6d22992e24f92d.jpg a08242b1441c4b81e1e538101b360757 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Woodblock print Physical Dimensions The actual physical size of the original image 41.0 x 26.3 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Collar for Undergarment, from 'The First Series of Modern Beauties' Creator An entity primarily responsible for making the resource Itō Shinsui 1898-1972 Source A related resource from which the described resource is derived Hamanaka Shinji and Amy Reigle Newland, The Female Image: 20th Century Prints of Japanese Beauties (Leiden: Hotei, 2003), 63. Date A point or period of time associated with an event in the lifecycle of the resource 1929 Itō Shinsui modern beauties shin hanga https://ds-omeka.haverford.edu/japanesemodernism/files/original/9da8bbce2e819cd8631327835141b587.jpg 1d86b06b3583871cd86328e29e1017c0 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Woodblock print Physical Dimensions The actual physical size of the original image 40.9 x 26.2 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rouge, from 'The First Series of Modern Beauties' Creator An entity primarily responsible for making the resource Itō Shinsui 1898-1972 Source A related resource from which the described resource is derived Hamanaka Shinji and Amy Reigle Newland, The Female Image: 20th Century Prints of Japanese Beauties (Leiden: Hotei, 2003), 63. Date A point or period of time associated with an event in the lifecycle of the resource 1929 Itō Shinsui modern beauties shin hanga https://ds-omeka.haverford.edu/japanesemodernism/files/original/e9a6ee71fdf4e1413deb762d00dccfb1.jpg b86804e496fb4465b6a4746176a1c540 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Woodblock print Physical Dimensions The actual physical size of the original image 40.8 x 26.0 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mosquito Net, from 'The First Series of Modern Beauties' Creator An entity primarily responsible for making the resource Itō Shinsui 1898-1972 Source A related resource from which the described resource is derived Hamanaka Shinji and Amy Reigle Newland, The Female Image: 20th Century Prints of Japanese Beauties (Leiden: Hotei, 2003), 63. Date A point or period of time associated with an event in the lifecycle of the resource 1929 Itō Shinsui modern beauties shin hanga https://ds-omeka.haverford.edu/japanesemodernism/files/original/92d83d716570a2000af1235b09623372.jpg 8a052e737919137b5ba348b9cd7a84a5 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Woodblock print Physical Dimensions The actual physical size of the original image 41.0 x 26.4 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Cotton Kimono, from 'The First Series of Modern Beauties' Creator An entity primarily responsible for making the resource Itō Shinsui 1898-1972 Source A related resource from which the described resource is derived Hamanaka Shinji and Amy Reigle Newland, The Female Image: 20th Century Prints of Japanese Beauties (Leiden: Hotei, 2003), 63. Date A point or period of time associated with an event in the lifecycle of the resource 1929 Itō Shinsui nudes shin hanga https://ds-omeka.haverford.edu/japanesemodernism/files/original/c4c61f5f96248d5f603958cabe6967d2.jpg 195ef06e1e3a3636c83caf47f0f4d8e3 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Woodblock print Physical Dimensions The actual physical size of the original image 39.0 x 27.0 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Combing Her Hair, from the series 'Three Beauties by Shunsen' Creator An entity primarily responsible for making the resource Natori Shunsen 1886-1960 Date A point or period of time associated with an event in the lifecycle of the resource 1928 Source A related resource from which the described resource is derived Hamanaka Shinji and Amy Reigle Newland, The Female Image: 20th Century Prints of Japanese Beauties (Leiden: Hotei, 2003), 121. Natori Shunsen nudes shin hanga https://ds-omeka.haverford.edu/japanesemodernism/files/original/91865b3c0439939b954873878cc2b552.jpg e5ad4a23b68f126e370fae3a2011917d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Woodblock print Physical Dimensions The actual physical size of the original image 39.0 x 27.0 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource After a Bath, from the series 'Three Beauties by Shunsen' Creator An entity primarily responsible for making the resource Natori Shunsen 1886-1960 Date A point or period of time associated with an event in the lifecycle of the resource 1928 Source A related resource from which the described resource is derived Hamanaka Shinji and Amy Reigle Newland, The Female Image: 20th Century Prints of Japanese Beauties (Leiden: Hotei, 2003), 120. Natori Shunsen nudes shin hanga https://ds-omeka.haverford.edu/japanesemodernism/files/original/3ba94f76845a041500cc5b9e72c8fd9c.jpg 85ddffb62b8e9f46ac0d5df77f49f304 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Woodblock print Physical Dimensions The actual physical size of the original image 39.0 x 27.0 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Before the Mirror, from the series 'Three Beauties by Shunsen' Creator An entity primarily responsible for making the resource Natori Shunsen 1886-1960 Date A point or period of time associated with an event in the lifecycle of the resource 1928 Source A related resource from which the described resource is derived Hamanaka Shinji and Amy Reigle Newland, The Female Image: 20th Century Prints of Japanese Beauties (Leiden: Hotei, 2003), 119. modern beauties Natori Shunsen shin hanga https://ds-omeka.haverford.edu/japanesemodernism/files/original/29529519d09ef0f8861d71b683d2f439.png 56ed567a8bfc020d0ed8bf518382b208 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nipopo Dolls Description An account of the resource Sakhalin Ainu shamans produced abstract wooden figurines called nipopo ("wooden baby"), used primarily as amulets for curing or warding off childhood disease. The addition of strips of red and blue cloth or a blue bead (on the upper figure) was thought to increase their power; such dolls were dressed in inaw-kike (wood shavings) to increase their efficacy. The two- headed figure may have been a charm to enhance the probability of giving birth to twins. (Twins were believed to bring success in fishing and hunting among the Sakhalin Ainu and neighboring Eastern Siberian groups. A similar belief was also held by the Kwakwaka'wakw, the native people of Canada's Northwest Coast.) These nipopo were collected in Novoe, Sakhalin, in 1945. Both have the deep patina of long-held personal treasures. (Ainu: Spirit of a Northern People. Arctic Studies Center. Smithsonian National Museum of Natural History) Source A related resource from which the described resource is derived Kan Wada Collection B. Wada, col. 1945, Novoe, Sakhalin Ainu: Spirit of a Northern People. Arctic Studies Center. Smithsonian National Museum of Natural History Ainu https://ds-omeka.haverford.edu/japanesemodernism/files/original/69ca781e6f0e95842cdaebbda369a358.png 6a7112668c6c0743c7afa350d3f3fcf4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ainu Robe Description An account of the resource As Japanese cotton became more affordable, garments known as chikarkarpe, meaning "our embroidered thing," were developed by substituting cotton for attush (elm-bark cloth); Ainu often used old Japanese kimonos or yukata for the base fabric. The use of dark strips around the neck, front opening, sleeves, and hem of a garment was retained, but embroidery became more complex. The aesthetics of combining the base garment pattern with the embroidery created an unending challenge for the innovative Ainu textile artist. (Ainu: Spirit of a Northern People. Arctic Studies Center. Smithsonian National Museum of Natural History) Creator An entity primarily responsible for making the resource Collected by Frederick Starr, Porosaru Source A related resource from which the described resource is derived Brooklyn Museum of Art Ainu: Spirit of a Northern People. Arctic Studies Center. Smithsonian National Museum of Natural History Date A point or period of time associated with an event in the lifecycle of the resource Collected in 1904. Ainu