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                <text>Strickland; Strickland, William (American architect, painter, and engraver, 1788-1854)</text>
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                <text>Original photograph ¬© Lee T. Pearcy 2014.  This image may be freely reproduced without permission for non-commercial educational, literary, or scientific purposes on condition that it is credited to Classicizing Philadelphia or Lee T. Pearcy. </text>
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                <text>Merchants Exchange, Philadelphia: E portico cornice</text>
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                <text>American</text>
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                <text>The White House, Washington, D.C.</text>
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                <text>"During his first term as President, in March 1803, Thomas Jefferson appointed Benjamin Latrobe Surveyor of Public Buildings. It may have been in recognition of this honor that Latrobe's good friend Charles Willson Peale painted this portrait for his Philadelphia gallery of distinguished persons. . . . ". . . The Latrobe portrait is not listed in [the artist's] museum Accession Book, begun about [1804], so it was probably painted later that year or early in 1805. . . . ". . . The artist boldly blocked in the ear, and he deftly brushed in the curly hair, sometimes dragging a nearly dry brush in short arcs. The silver-rimmed spectacles pushed back into the hair are incompletely indicated, almost improvised. "The face is handsome, but the artist is concerned first with character and mind. It is a moody, introspective likeness, alive with intellect."  (Kloss, William, et al. Art in the White House: A Nation's Pride. Washington, D.C.: The White House Historical Association, 2008.)</text>
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                <text>This image has been selected and made available by Classicizing Philadelphia using ARTstor's software tools. Classicizing Philadelphia makes this image available for non-commercial educational, scholarly, and artistic purposes and disclaims any liability for any use of the image or associated data. ARTstor has not pre-screened or selected this image, and therefore disclaims any liability for any use of this image. Should you have any legal objection to the use of this image, please notify Classicizing Philadelphia and ARTstor's Contact for Legal Notices.</text>
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                <text>Charles Willson Peale [Public domain], via Wikimedia Commons; http://upload.wikimedia.org/wikipedia/commons/b/b7/Benjamin_latrobe_by_peale.jpg</text>
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                <text>Krimmel, John L. (American painter of German birth, 1786-1821)</text>
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                <text>John Lewis Krimmel emigrated from his native Germany to Philadelphia in 1810. At first he supported himself by painting portraits and teaching drawing but soon began to paint images of Philadelphia life; he may, in fact, be the earliest American artist to specialize in genre scenes. Krimmel was actively involved with the then-new Pennsylvania Academy of the Fine Arts until his death by drowning in the Schuylkill River. "Fourth of July in Centre Square" depicts a broad range of the city's population, including fashionable ladies and gentlemen, plainly dressed Quakers, and African-American citizens. Latrobe's Philadelphia Water Works, shown at left, was considered a marvel of engineering as well as an icon of neo-classical design for the growing city. The clean water provided by its steam-driven pumping station also made possible America's first public fountain, the centerpiece of which was "Water Nymph and Bittern," an allegory of the Schuylkill River carved by William Rush.</text>
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                <text>The general rights statement in the following paragraph does not apply to this image.  Image reproduced from the Greenfield American Art Resource Project at the Pennsylvania Academy of the Fine Arts under the Fair Use Doctrine.  Classicizing Philadelphia authorizes no other use whatever, whether non-commercial or commercial, of this specific image.  For all uses, including educational, cultural, and scientific appropriations, contact the Pennsylvania Academy of the Fine Arts, 118 North Broad Street Philadelphia, PA 19102 215-972-7600; www.pafa.org.</text>
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                <text>This image has been selected and made available by Classicizing Philadelphia using ARTstor's software tools. Classicizing Philadelphia makes this image available for non-commercial educational, scholarly, and artistic purposes and disclaims any liability for any use of the image or associated data. ARTstor has not pre-screened or selected this image, and therefore disclaims any liability for any use of this image. Should you have any legal objection to the use of this image, please notify Classicizing Philadelphia and ARTstor's Contact for Legal Notices.</text>
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                <text>Pennsylvania Academy purchase (from the estate of Paul Beck, Jr.)</text>
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                <text>Fourth of July in Centre Square</text>
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                <text>This image has been selected and made available by Classicizing Philadelphia using ARTstor's software tools. Classicizing Philadelphia makes this image available for non-commercial educational, scholarly, and artistic purposes and disclaims any liability for any use of the image or associated data. ARTstor has not pre-screened or selected this image, and therefore disclaims any liability for any use of this image. Should you have any legal objection to the use of this image, please notify Classicizing Philadelphia and ARTstor's Contact for Legal Notices.</text>
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                <text>University of California, San Diego</text>
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                <text>ARTSTOR_103_41822000073914</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>This image has been selected and made available by Classicizing Philadelphia using ARTstor's software tools. Classicizing Philadelphia makes this image available for non-commercial educational, scholarly, and artistic purposes and disclaims any liability for any use of the image or associated data. ARTstor has not pre-screened or selected this image, and therefore disclaims any liability for any use of this image. Should you have any legal objection to the use of this image, please notify Classicizing Philadelphia and ARTstor's Contact for Legal Notices.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Bank of Pennsylvania</text>
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            <description>A name given to the resource</description>
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                <text>Philadelphia: Bank of Pennsylvania: ground plan</text>
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                <text>ground plan</text>
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